So I just said thank you. I remember that day as an almost spiritual experience.I did a production of Hamlet with my friend Tobias Menzies as my final show at the Royal theatre in Northampton. When her father first came to the capital, “he was walking near that palace thinking, ‘What the f**k am I going to do?’ He couldn’t believe he was going in, wearing his national dress.”“When I left I was like, ‘Wow, there’ll be a little girl watching that,’” she continues. When I was a student in the mid-80s I would save up my grant and go to see everything. We had spent a year connecting with 150 other trans people across the planet who had formed a virtual choir which sang back to Adam as the internet embodied, his online community, the only place he found others like himself. And being a Londoner, the Standard has always been in my life.”The event kicks off a big year for Jumbo. You come to the understanding that everybody of colour came over She recently found Ann Duck’s trial records at the Old Bailey.
“What are you going to do about the rainforest? At the end was a plea to save it, and a suggestion to write to the prime minister for help. She looks thrilled. “It’s gumption,” she decides, matter-of-factly, in an accent that transports you straight to south London, in spite of the past eight years she’s spent living in New York (which is where Jumbo has just wrapped her first photoshoot for It’s true that a naive confidence might get you in the room, but it takes talent to get you noticed. “I can’t get my head around why it’s confusing that I should play Hamlet,” she says, referring to some of the less enlightened responses she’s had to her casting. “You have to stay with it, because it’s a very hard play to explain,” she begins, cautiously, but what follows sounds wild.
One major draw was Moore’s writing, a raucous cacophony of compound words that bounce around like firecrackers. “It’s about what this group of people is up against and what you’re willing to sacrifice for your life, I guess.” She knew she wanted to act in a play this summer – new writing, rather than a revival – and this one grabbed her immediately.
She also wasn’t written to particularly look a certain way or be from a certain place, which always excites me because I’m just a person.”She is doing all this while parenting her 11-month-old son Maximillian, with her husband Sean Griffin, a former journalist who now works in tech. Telling it now in print, I couldn’t swear to “all in one season” but, true or nearly so, it’s a genuine memory from happy days in 1958 or 59. Maternity leave for actors is virtually unheard of, and Jumbo “hated the fact I went back to the gym three months after I had him”.
“The first line was, ‘Ann Duck was a notorious prostitute and pickpocket. We started the show every night, pumped up, clambering backstage in the dark to find our starting positions. The room is peaceful. Incest, death, enclosure … ” she laughs. Finally one day she ventured an opinion, focusing on both the soliloquies before and after the death of Duncan.“Mr Cox, may I say something?” “By all means,” I replied. Looking back on it, it was a lot on me and my big sister’s shoulders. We were playing in Bombay, now Mumbai.
I can’t fault my parents for giving me a really good work ethic.”At 14, she got a place at The Brit School (“I don’t know why I was born the way I was,” she says of her acting aspirations. I felt deeply happy that a show I’d helped shape was having that visceral effect on so many people.De-rigging lights in a mobile theatre built by the National Youth Theatre of Wales, after a play we devised in 10 days and toured around the country with a brilliantly talented group of young stage managers, technicians, designers, theatremakers and performers. “I know I’m an actor, I know I write, I know I make things, I know I can do classical Shakespeare and I can be a girl on a council estate. Last modified on Thu 26 Mar 2020 08.34 EDT. Photograph: Tristram Kenton/The GuardianJasmine Lee-Jones’s play seven methods of killing kylie jenner at the Royal Court in 2019.Antigone, written by Lulu Raczka, at the New Diorama theatre in London.The Wild Duck by Belvoir Theatre Company at the Barbican in 2014. “It’s only when I put them together that I realise it says S&M,” Jumbo says. “I hate starting with ‘It’s about the She plays Laura, Mary’s teenage lover, who now lives in a possibly incestuous relationship with her brother.
“It was like lightning coming out of my fingers,” she smiles.The two started dating but, a few weeks in, Jumbo decamped to New York for Since 2016, Jumbo has spent the majority of her days as Lucca Quinn, a fierce divorce lawyer at Her pregnancy was written into Lucca’s storyline, and the character gave birth in the finale of season two, four days before Cush went into labour in real life, which, she says, was a far less dramatic affair (“all the drugs, slid right out”). It’s just not for me.” She doesn’t want to sound ungrateful, but after years of performing, she knows what makes her happy. Which I think is what we’re taught to believe is our English heritage.” It’s gory? I knew I’d never see that tiny rehearsal room again as the whole building was being redeveloped.
“It’s such an honour.” To succeed Waller-Bridge is “amazing, because she was the first woman to host it and our careers have been running alongside each other [Fleabag and Josephine and I, one-woman shows by then little-known writer-performers, premiered the same year]. As an actor, it’s very hard to get into the Standing backstage on my own in the Olivier to go on for that first scene will always stay with me. “I am not someone who blanket believes that I should just get to play every man that’s ever written because I want to, but with Shakespeare I see no boundary at all. As the star of The Good Fight, in which she plays DC Bethany Whelan, Lewisham native Cush Jumbo has become a household name in America – but her first love is still British theatre.
On the other hand, you know what you know. Packed house. It made the hairs on the back of my neck stand up when I read it.”Jumbo was last at the National five years ago, as Constance Neville in One of the weirdest things about New York theatre, she reckons, is that famous people come to the dressing room after each performance. Common Olivier Theatre, National Theatre 6 June 2017 Three stars BOOK TICKETS.
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