[27 May 1981, p.B6], This film will be a treat for those to whom the highlight of the dramatic season so far was "Friday the 13th, Part 2." [06 Jul 1981, p.C3]. Ironically, the stars didn't get it together either. [10 May 1978, p.B1], The End never really lives up to its beginning. . But the accompanying low-keyed acting, mostly in the police parts of Newman, Ken Wahl and Edward Asner, lends the film a sustaining interest. Then, perhaps, those responsible for the prison film Brubaker could have gotten their do-good impulses under reasonable control, and used them to make a good picture, instead of a goody-goody one. [22 June 1979, p.C1], Rocky II doesn't merely recall its Oscar-winning predecessor, a modestly produced but astutely calculated inspirational fable about the rehabilitation of a down-and-outer. As a result, an hour and a half of tense, funny sexual melodrama is squashed flat by a dud of a fadeout. Mark Jenkins at The Washington Post stated, "The movie is too busy being saucy or sappy to even look at its target." The Washington Post (also known as the Post and, informally, WaPo) is an American daily newspaper published in Washington, D.C. Denying people the forms of amusement, notably erotic amusement, that the publicity suggests, Derek exposes a truly dangerous ineptitude. The occasional use of real people on old film is jarring. This time they have. Witty as they sometimes are, Romero's ironies aren't subtle or devastating enough to justify lengthy comtemplation. Despite a powerful performance by Tahar Rahim in the title role, and despite such marquee names as Jodie Foster and Benedict Cumberbatch in the supporting roles of Slahi’s attorney, Nancy Hollander, and Stu Couch, the Marine lawyer assigned to prosecute him — despite scenes of grotesque abuse that inflame the conscience — the movie lands, through no fault of its own other than timing, with a whiff of been-there, done-that. [5 Oct. 1978, p.B10], Interiors imposes a portentous formality that seems deliberately starved of sensuous appeal. [01 Aug 1980, p.C7], Even this garbage-can world deserves a better grade of junk. Disney’s gorgeously animated, entertainingly told fantasia Raya and the Last Dragon is a visual feast. [03 Oct 1980, p.C1], The rapport that ought to evolve between Gloria and her juvenile charge never quite makes it from the filmmaker's imagination onto the screen. If the rabbi's odyssey was embryonically appealing, the filmmakers have nurtured it along pact from an elephant trying to hatch a robbin's egg. There are only so many ways to photograph black starry space and the under-bellies of spaceships, and the films that got there first used them all up. [09 Feb 1978, p.B13], Ridley Scott has made a triumphant directing debut by creating a film that looks beautiful but never loses sight of the capacity for animosity and conflict lurking in the human psyche. [28 May 1981, p.D11], Miner doesn't linger over the multiple throat-slashings and skull-splittings. [25 Oct 1978, p.D13], Lumet and his inspired collaborators have succeeded in fabricating and navigating one majectic, rabble-rousing Mother Ship of a musical, a sublimely happy moviegoing experience. There are early warning signs that “World” isn’t going to end well. The acting is polished, the writing superb. An entertaining mishmash of skits which finds Mel Brooks back in lively form, both for better and for worse. Deeson Thompson of The Washington Post called the film "a gently stirring symphony about emotional transition filled with lovely musical passages and softly nuanced performances." [15 Jul 1978, p.E1], By and large the film seems humorless, the reflection of exhausted or snide entertainers. The reviewers who made a fuss over Halloween have a lot to answer for. But Fastvold, a Brooklyn-based Norwegian actress and filmmaker making only her second effort behind the camera, never gins up the sentiment, the melodrama or even the sensuality. But Robin Williams so utterly captures the Popeye idea as to justify this, and Shelley Duvall is such a perfect Olive Oyl that it will always be difficult to imagine her impersonating a human being. [15 June 1979, p.B1], The film's inconsistencies, inaccuracies and disjointed editing can be explained by Lee's untimely death; the producers had to piece the movie together from the available footage. Although it shatters all over the screen, this would-be topical satire may strike enough chords among rabble-rousing yahoos to become a hit of sorts. The succession of slow-motion, overlapping dissolves of Erving gliding and dunking in solitary grandeur is a rather pretty abstraction, but it seems to stylize his prowess in a misleading way. Practically everyone who spends more than five minutes on camera dies horribly -- in close-up. Reason against discipline is always funny -- hero to sergeant: "I know I'm speaking for the entire platoon when I say that the run should be postponed until the platoon is better rested" -- but the kicker, that there really is a reason for the discipline, is necessary to the premise. [11 July 1980, p.27], A scruffy but appealing light entertainment, the movie owes its unexpected charm to the fact that comedian and dog seem to complement and humanize each other. The script is eloquently supplied with scenes illustration this fundamental conflict and bond. Their failure to "make one like they used to" incurs a double liability: In addition to wasting resources and disappointing expectations, Seems Like Old Times -- now at area theaters -- appears to trifle with an older and better movie. [13 May 1981, p.B6], Harry Hamlin remains in a depressing, narcissistic low gear in King of the Mountain. [10 July 1981, p.17], The Decline . [02 Feb 1979, p.19], Director Philip Kaufman and producer Robert Solo cleverly entwine such elements as disorienting low-angle shots, an ominously pulsating soundtrack and eerie gloom with the tried-and-true plot and come up with a tight thriller. None of Hill's dynamism will save The Warriors from impressing most neutral observers as a ghastly folly. An inconsistent but good-natured ramble, Bustin' Loose looks like a secure investment for Richard Pryor fans. [19 Apr 1980, p.C3], Huston's straightforward, sardonic direction reinforces a compact, unusually literate screenplay. Read what Washington Post had to say at Metacritic.com - Page 344 The Tin Drum is likely to be remembered as another conspicuous example of why the urge to film certain books ought to be resisted. It gets all the smirking fun it can, then tacks on some quick sermonizing at the end. [26 Sep 1980, p.F1]. “You should remove this review fro[sic] the metacritic , and post a new , sensible one that can justify its existence. Despite its excesses, "The Howling" has some tricks and jokes worth howling about. [21 June 1978, p.B13], It manages to preserve much of the charm and romantic fantasy that worked for its predecessor, the 1941 crowd-pleaser Here Comes Mr. Jordan, while freshening up some of the settings and details and tailoring the roles to a different cast. That any human activity worth considering should ensue from this situation would be ridiculous to expect. Washington Post writer Michael Thomson writes a negative review for Uncharted 4: A Thief's End, resulting in a fan petition demanding it be removed from MetaCritic.. Uncharted 4: … When he's not clowning around he takes time to befriend a homesick 12-year-old camper (Christopher Makepeace), thus displaying a streak of responsibility that would curl John Belushi's hair. Gene , because you were the only respectable staff that responded to this nonsense , you should remove this review from the Metacritic , and post a new , sensible one that can justify its existence. Whether it be the quality of the review, the actual score given to the review, or the reviewer themselves, there's always something that comes up in their discussion. [29 Dec 1978, p.20], This time, Eastwood has traded in his magnum for a Chevy pick-up truck and crime-ridden city streets for a netherworld of highways, honky tonks and trailer parks. Producer Ray Stark, screenwriter Neil Simon and director Jay Sandrich obviously intended to whip up a frothy, madcap entertainment in the tradition of the screwball comedies of the '30s and '40s. In this absorbing and rigorously disciplined account, Konchalovsky proves that a healthy embrace of nuance doesn't need to result in muddled thinking. For my taste a little bit of Steve Martin goes a long way. These films don't really work, but they're the sort of films that don't work in interesting ways. Regrettably, once Cropsy strikes again, he can't seem to stop, and the movie keeps him company by going methodically beserk. The jokes make you laugh. May 16, 2016 - Reviews always have a discussion looming around them. Washington Post; Read full review; 67 Metascore; 40 Reviewed by Gary Arnold; Over the Edge. It’s a fascinating story and well worth revisiting. It stars Tim Conway and Don Knotts, who are not exercising their legitimate comic talents beyond one expression each: Conway crosses his eyes, and Knotts makes his eyeballs disappear upwards. [21 Dec 1979, p.32], Despite its obviously derivative elements and lack of flair in certain areas, notably writing and casting, the movie is at worst an entertaining redundancy, a brisk and diverting pastiche of familiar science-fiction adventure hokum. [19 July 1978, p.E1]. [16 March 1979, p.19]. [9 Dec 1979, p.G1]. [28 June 1978, p.E4], One wonders if such a story is worth recycling. [15 May 1981, p.19], The repeated fake-outs even lead one to entertain the fond delusion that The Burning might be absent-minded enough to diverge into harmless farce and end up as a rehash of "Meatballs." Rather, Cahill’s latest film is an exercise in existential inquiry. It's a little like watching Hsing-hsing and Ling-ling attempting to mate, to see John Travolta and Debra Winger, as the simple couple in Urban Cowboy, spend over two hours trying to find a modus vivendi in a mobile home. The other half just wants to break stuff. [24 Mar 1981, p.B8], The intelligence and artistry with which Cutter's Way dresses up the top few cliches of the 1980s is amazing. At least 000,000 people have received one or both doses of the vaccine in the U.S. With the Dunne-Didion lines and the acting of Robert DeNiro (the priest) and Robert Duvall (the detective), the lack of a cohesive story doesn't seem terribly important. Moreover, a rickety vehicle like The Jerk is apt to wear out as aspiring comic star's welcome in one swift stroke. Southern Comfort sets up a potentially compelling switch on The Most Dangerous Game, but Hill's tactical maneuvers prove too diffuse and uncoordinated to carry out a successful variation. It casts an immediate pictorial spell of wonder and discovery and sustains it until a fadeout that leaves you in a euphoric mood, lingering over images whose beauty and emotional intensity you want to prolong and savor. [13 June 1978, p.B1], The premise breaks down just at the point when it needs to be cleverly elaborated into a story. [02 Oct 1981, p.C1], An intimate theater piece conceived for the movies, My Dinner With Andre illustrates how much human interest, entertainment value and even philosophical inquiry can be derived from a situation as static as a dinner conversation. You can't help wondering what they, along with Mason and Neal, talked about between the takes of this howler. To quote Michael Palin quoting Jesus, "There's just no pleasing some people. [31 July 1981, p.17], Playing with and making fun of paranoia is a DePalma specialty and he does it well. [15 Apr 1978, p.C9]. Before it takes an appalling turn for the vicious, The Silent Partner seems an uncommonly clever and gripping suspense thriller. [16 Aug 1980, p.D2], For a terrible movie, Used Cars certainly has its moments. Even within the confines of its generic plot and sometimes stilted dialogue, Concrete Cowboy winds up being an engaging and moving family drama. The Final Countdown emerges from a round trip through this time-bending exercise flattened into a two-dimensional letdown. [23 May 1981, p.C6], Sounds hard to mess up, but Death Hunt is so unconvincing that you never once stop asking yourself, "Why is this manhunt necessary?" search... Games Notable Video Game Releases: New and Upcoming See All Reports. It makes its case persuasively in a restoration overseen by director Martin Scorsese and producer Robbie Robertson that's been released to celebrate the 25th anniversary of the concert it made famous. Even the big spectacle, the demolition of a dam, is going to look unimpressive to moviegoers who've already been to Superman and seen the identical illusion depicted with far more skill. [25 Aug 1980, p.B1]. Like the flatulent and shattering noises, the score functions a distracting sound effect, camouflaging tattered swatches of "comedy." [13 July 1979, p.25], It's a half-baked stopover in the big house, relying on Eastwood, rather than a particular prison theme, for focus and continuity. The director of "Lolita," "Dr. Strangelove" and "Clockwork Orange" is simply working with less interesting material: The Shining is a slender, barely believable tale being asked to carry a lot of style and weight. Here's this week's big gaming drama: an idiot writing for the Washington Post gave Uncharted 4 a negative review. When she ambushes a victim in the woods, they change forms in the course of coupling strategically obscured by a blazing campfire in the foreground -- a deliberate howl of a sex scene. [27 Oct 1978, p.D1], Jack Nicholson set out to make himself a Treasure of Sierra Madre, but since he is both the director and star of what he came up with no one apparently told him that Goin' South isn't it. It's an artfully old-fashioned morale booster celebrating comeback kids: apparent losers, outcasts and hard-luck cases who manage to pull themselves together, buck the odds and reaffirm their pride, dignity and masculinity. Which makes it great fun. [08 Feb 1980, p.D1], The complications of international diplomacy have been ridiculously simplified -- a bare room with an obviously pasteboard view symbolizes Soviet duplicity. [11 Aug 1979, p.B4], Breaking Away is a film with a happy and intelligent imagination, crediting the American teenager with more inventiveness than a more mean-spirited popular culture would admit, these conflicts have a charming originality. . never approaches the comic heights achieved unwittingly by "Airport '75" and the peerless "Concorde -- Airport 1979." The best policy might be to go about 30 minutes late and leave about 15 minutes early. . I mentioned last week that my launch-era Xbox 360 recently up and died on me just when I got my hands on the game. This endearing, thoroughly entertaining movie might be what we all need right now: An invitation to stop and smell the roses — or, if you’re lucky, their far less showy fungal cousins. It should also prove a great incentive for dining out and shooting the bull in general. [03 Aug 1979, p.27], The new Dracula is a dazzler, a classic retelling of a classic text. Daily broadsheet editions are printed for D.C., Maryland, and Virginia.. It's apparent where Carpenter got his horror devices - and a minor misfortune that he hasn't been able to synthesize them in a fresh or exciting way. But he packs the middle with drawn-out dialogue and mindless series of chases and escapes that do little more tan pad the feature film into feature length. If any one made a respectable effort to invest this story with authenticity or tension it is not apparent on the screen. If anything, it condemns them to strictly degenerate company. But Fame goes deeper, into the quintessential problem of youth -- the painful process by which the society's accumulated culture is passed from one generation to the next [20 June 1980, p.17], Humanoids is a clever combination of Jaws and Alien. [24 Dec 1979, p.C1], Scavenger Hunt, a solvenly farce about a frantic competition for a multi-million dollar legacy, is the studio's bottom-of-the barrel Christmas treat. The question is, do a few moments of satire justify an hour and a half of naked ladies, car stunts and chase scenes? At the same time, it's remarkably evenh “The Last of Us Part II” is a demonstration of how a video game can marry heart-stopping gameplay, gorgeous environmental storytelling and anxiety-inducing moral complexity.
Eintracht Spiele 2020, Charmed Staffel 1 Folge 4, Sheffield United Futhead 21, Bauer Sucht Frau Maria Instagram, Bauer Sucht Frau 2021 Sendetermine, Getafe Vs Osasuna Predictions, Von Wuppertal Nach Köln Mit Schokoticket, Deutsche Bahn Tübingen Stellenangebote, Jannes Horn Tattoo,