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It is rumoured they were leaked by an inside source to show what Horn’s influence on the album had been.Virgin had been pushing Mike to do a Tubular Bells II for years. Other titles may be less direct references to space and science fiction – ‘Weightless’ and ‘Dark Star’, for example.

Tubular bells (also known as chimes) are musical instruments in the percussion family.

Virgin Records had been pushing Oldfield to create a sequel to Tubular Bells for many years prior to his departure from the label, but Oldfield was hesitant to do so, although his penultimate album for the label, Amarok, was in several respects a conceptual sequel to his 1976 album Ommadawn. 24,821 Additional Keyboards, Noises and Drum Loops: Jamie Muhoberac. 14 tracks (58:19). It sounds to me very much like a layer which includes the tubular bells patch of a Korg M1.

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Susannah also writes songs, and co-wrote ‘Candy perfume girl’ on Madonna’s ‘Ray of light’ album.Edie Lehman – has worked as a vocalist with Aretha Franklin and Belinda Carlisle, amongst others.Sally Bradshaw – English soprano, specialising in opera from before 1800, with a great love of Handel, whose operas she hasperformed in worldwide. Michael Gordon Oldfield (born 15 May 1953) is an English musician, multi-instrumentalist and songwriter best known for his debut studio album Tubular Bells (1973), which became an unexpected critical and commercial success and propelled him to worldwide fame. Certain files that circulate on the internet are known as the ‘De-Trevored Tubular Bells II’. Some user-contributed text on this page is available under the

Bagpipes: P.D. Clear Light 05. Some of the other MCs used included Scottish comedian Billy Connolly and Vivian Stanshall, who can be heard introducing the instruments on various single releases of ‘The Bell’.

PA to Mike Oldfield: Jeremy Parker A Trevor Key photograph.Synthesisers – Among the synthesisers that Mike used on this album were the Korg M1, Ensoniq SD1 and Kurzweil K2000.Tubular Bells – Interestingly, the predominant tubular bell sound on the album is synthesised.

What Mike seems to use is a little synthesiser arpeggio which represents the digital sound processor instead.A strolling player – this is in fact actor Alan Rickman. Additional Programming and Digital Sound Processing: Eric Cadieux.

A lot of Tubular Bells II was in Mike’s head, so I didn’t know what it was going to be, it came out of his head so I couldn’t really have a view of what it was going to sound like.” He also noted that “Mike’s pretty self sufficient – he played nearly everything on Tubular Bells 2 and he can work the board, he can engineer, so there were times when there were three of us sitting along the back of the room; myself, the other guy who produced it with me – Tom Newman – who also produced the first record, and the engineer, on chairs at the back of the room while Mike did everything – played, engineered and we didn’t have a clue what was going on.” On the choice of Trevor Horn, Mike said “I think maybe people put my music in some sort of bracket or category.

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